“Good Morning Jazzwomen – Positioning of Female Instrumentalists in Social Practices of Jazz” is a research published in monography (PhD dissertation) by Orion Art Books (2023). The subject of research is reflected in the problematization of jazz as a musical but also social practice that has traditionally been and remains a field dominated by men, while women are represented as a minority, exception, novelty and Other. In the jazz music tradition and its social environment, musicians apply a patriarchal ideological approach. For that reason, jazz embodies the male collective expression of practice that creates a dominant model of canonization in the jazz narrative. The musical genre of traditional jazz is gendered performative, and masculinity is set as the norm in the jazz genre, creating on the contrary, gender stereotypes of jazzwomen. This holistic research explores, analyzes and presents the creation of identity as a socially constructed subject, i.e. the representation and status of a female instrumentalist through the practice of different styles of jazz as an art form but also cultural, historical and social space. The position of the female jazz instrumentalist is critically examined with a transdisciplinary approach, thus shaping the field of research through the diversity of disciplines of social sciences and humanities, and also artistic research in music. In this work, the topic is problematized on two levels: 1) the way in which jazz is presented (culture, history, social practice) and 2) how the personal experience of the female improviser is identified through practice. The aim is to contribute to scientific discourse by researching gender identity and creation of a hegemonic narrative, and the possibility of deconstructing the stereotype of women in jazz, by questioning the gender issues in jazz practice, not only in Serbia but also on the world scene.